![]() ![]() Wolk – does get right, it’s in depicting the anger and distrust of ethnic minorities in current day America towards the xenophobic attitudes of the predominantly white, privileged political system. But if there’s one aspect that the script – by Lowry and Gregory P. The performances are broadly acceptable for this sort of thing, though Attaie does make for an appealing heroine, and Lowry seems more confident when bending the knee to Carpenter’s original than he does with the newer material it’s as if the obvious difference between them was a given he had no control over. Like Halloween, there’s a minimum of blood and gore, but there’s a singular lack of tension throughout, and the killings are often poorly staged and framed. The comedy is a mixed bag all by itself, and ranges from deft visual flourishes (David’s Trump mask hides someone who looks like Trump), to irritating bouts of frat humour (best summed up by Miles’ popping up at odd moments as characters as varied as a perverted priest and a Jared Kushner look-a-like), and further Mel Brooks’ appropriations (“Be a Smarty and Join the Republican Party”). Nods and winks in the direction of John Carpenter’s seminal movie follow, as well as Easter eggs that reference some of his other movies, while the script also adds further homages from the likes of Psycho (1960) and Young Frankenstein (1974). So far, so reassuringly competent homage, though with the kind of comedic elements that reveal the makers’ broader intentions for their story. Then there’s an updated recreation of the young Michael Myers’ murder of his sister that is shot entirely from David’s point of view and ends with him being unmasked outside his home. It begins with an opening credits sequence that replicates the style of Halloween’s own opening credits, but replaces the jack o’ lantern with a Trump mask. But in the tradition of simple ideas made on a restricted budget, President Evil is an uneven, occasionally inspired, occasionally woeful movie with a ton of good intentions that don’t always pay off. The pitch must have been a fairly simple one: hey, why don’t we make a spoof of the original Halloween where instead of a Captain Kirk mask, the killer wears a Donald Trump mask instead? And the response must have been equally simple: great idea, go make it. Along with Blanca’s younger brother, Pepe (Jorgensen), and their transgender friend, Gabriel (Sander), the party gets off to a good start, but it isn’t long before David is picking them off one by one, while the town sheriff (Rosete) does his best to come to their aid before it’s entirely too late… In the same neighbourhood, best friends Lana (Attaie), Blanca (Perez), and Medjine (Boone) are preparing to have a pre-election party ahead of their participation in an anti-Republican rally on the day. Meanwhile, Dr Lutin (Sing), his doctor, heads there in the hope of finding David – though he has an ulterior motive for doing so. Returning to his home town of Libertybelle, David takes to wearing a Donald Trump mask and hanging out at his childhood home. Thirty-eight years later, and on the eve of the mid-term elections, David (Adams) escapes from the Lar-A-Mago sanitarium where he’s spent the intervening years. On the night of the 1980 US presidential election, young David Barron dons a Ronald Reagan mask and brutally murders his ex-porn star mother, Scorchy McDaniels (Rae). Cast: Jose Rosete, Sitara Attaie, Korbin Miles, Lys Perez, Amber Moone, Jacob Jorgensen, Kyle Sing, Ryan Quinn Adams, Vinn Sander, Christian Hutcherson, Kevin Alain, Johanna Rae ![]()
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